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Staatstheater Braunschweig – Die Vögel – ZEUS/PROMETHEUS |
"…charismatic and balsamic Johannes Schwärsky as Zeus and the voice of Prometheus." |
OPERNWELT 5/25 Regine Müller |
"With his flexible bass voice, powerful in the high registers, Johannes Schwärsky performed a remarkable Prometheus. He also sings with an extremely clear diction." |
Klassik begeistert www.klassik-begeistert.de |
"Johannes Schwäsrky was very impressive as the warning Prometheus with his constantly sonorous bass baritone voice." |
Der Opernfreund www.deropernfreund.de |
"Johannes Schwärsky sings with a profound, charismatic bass voice." |
Braunschweiger Zeitung www.braunschweiger-zeitung.de |
Schlossfestspiele Sondershausen – Tosca - SCARPIA |
"The surprise of the evening is Johannes Schwärsky in the role of Scarpia. He not only convinces with his enormous vocal volume, which he spotlessly presents on stage both in the high and the low tones." |
Harz Kurier www.harzkurier.de |
Staatstheater Oldenburg - Das Rheingold - ALBERICH |
Among the soloists Johannes Schwärsky is particularly worth mentioning. Due to his suggestive presentation of Alberich combined with powerful and impressive singing, he became the main figure of the opera. |
ORPHEUS, Mai/Juni 2017 - Wolfgang Denker |
Among the soloists Johannes Schwärsky as Alberich is particularly worth mentioning. He succeeded in making Alberich into the main character of the opera. His tremendously present and suggestive interpretation of the role in combination with his powerful and impressive singing was utterly thrilling. |
Der Opernfreund www.deropernfreund.de |
There were some great vocal performances, which are worth a journey: guest singer Johannes Schwärsky,an intense and demonic Alberich... |
NMZ www.nmz.de |
Eutin Festival - Aida - AMONASRO |
In spite of his wild hairsdtyle Johannes Schwärsky was a powerful Amonasro with a distinctive and expressive baritone voice, forming some beautiful cantilenas in duet with Aida. |
www.deropernfreund.de |
Theater Krefeld-Mönchengladbach - Ballo in maschera - RENATO |
'... with Johannes Schwärsky a almost world-class cast of Renato.' |
Opernfreund |
'One would never have noticed that in the ensemble there is a worldclass Verdi baritone. On this very evening, Johannes Schwärsky succeeded in everything: the dramatically stoked up ‚Eri tu‘ well and truly swept the audience into exuberance and his fine legato lines in ‚O dolcezze perdute‘ showed the style-conscious belcanto-singer.'. |
Opernglas 11/2015 H.Walter |
' Johannes Schwärsky as Renato, marvellously utilizes his baritone, both in terms of vocal power and comprehensibility .' |
Opernnetz |
Osnabruck Theatre - The Birds - PROMETHEUS |
'Johannes Schwärsky, in Münster already hailed as the Flying Dutchman and apart from that, also quite Wagner-suspicious, as Prometheus was the major event of the evening, that really got under one's skin, not only vocally but also his performance even when he is mistreated by the mystical fate. A great voice, a great talent!' |
Der neue Merker, Klaus Billand |
'a turely high performance came from Johannes Schwärsky with his powerful bass as Prometheus: a deep black, averting presence, his body blood soaked, his voice imbued with grief, he warns against war.' |
Die deutsche Bühne
www.die-deutsche-buehne.de
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‚...the staggeringly imperious Johannes Schwärsky in the role of Prometheus,...’ |
NMZ Online
www.nmz.de/online
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'But first, Prometheus appears to warn against war and to call for a change. Johannes Schwärsky is a sonorous, fantastic Prometheus. Musically, he clearly resembles the big brother of Jochanaan from Strauss’ Salome.' |
Theaterpur
www.theaterpur.net |
Mönchengladbach Theatre - Stiffelio - STANKAR |
'Another musical highlight is the entrance of Johannes Schwarsky as Stankar at the beginning of the third act. When Lina's father intends to commit suicide, because he was deprived of his revenge on Raffaele, Schwärsky's great aria reminds at Rigolettos pain, as his daughter Gilda was ravished. Schwärsky shines with a great baritone and dramatic expression.' |
Online Musik Magazine |
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