With an extraordinary lyric soprano voice and a strong stage personality, Maria Miró has just again succeeded at the Teatro Real as ANA OZORES, title role of La Regenta by M. Machado. The press witnessed:

“Ana Ozores, brilliantly played by María Miró, is alone on her stage, the space belongs to her and only she fills it. The nudity on stage is such that there are countless times in the dramatic action when the character is dressed and undressed in all sorts of costumes. But Maria Miro is assisted only by her wonderful voice to bring this complex woman to life. It is amazing how the script has managed to minimise and condense the complex character of the novel and reduce it to a torrent of contained emotions and not to a woman who exudes strength, passion and is herself a real and true fact. The Spanish soprano's work is brilliant."
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Maria’s voice is regularly sought after at the Madrid Opera, as well as at the Gran Teatre del Liceu, Palau de les Arts de Valencia, La Maestranza, Opera de Tenerife, Opéra de Avignon or Oviedo, appearing with a wide repertoire which goes from Mozart’s CONTESSA ALMAVIVA, FIORDILIGI, DONNA ANNA to Puccini LIU, MIMI, Verdi’s NANETTA, Britten or Wagner roles.

She made her operatic debut as FIORDILIGI at Lyric Opera Studio of Weimar in 2011, and in 2012 she sang FIRST LADY at Wexford Opera Festival and SUOR GENOVIEVA in Suor Angelica at the Dorset Opera Festival. Immediately after her first performance at the Gran Teatre del Liceu in Falla’s L’Atlantida, she was re-engaged to sing in  I due Foscari and Il trovatore here the two following seasons. Maria sang MIMI at the Festival of Salisbury and portrayed NORMA at the Teatro Massimo of Palermo. In 2013 she made hervery successful debut at the Teatro Real Madrid as MARIANA in Wagner’s Liebesverbot. Whereupon the soprano was immediately reengaged in Madrid as PENELOPE in Britten’s Gloriana, where she achieved an equal triumph:
The singer portrayed CONTESSA ALMAVIVA. at the Opera Grand Avignon. Other highlights are her WELLGUNDE in Teatro Real’s Ring, her appearances as MICAELA with the Orchestra Reino de Aragón, MUSETTA at the Opera de Sabadell or the FIRST DAME in The Magic Flute at the Opera de Oviedo in 2021.

A celebrated Zarzuela singer, Maria made her debut at the Teatro de la Zarzuela as MARQUESITA in El barberillo de Lavapiés, 2019, and performed in Oviedo (2020), at the Teatro de la Maestranza (2021),the Palau de les Arts and once again at the Teatro de la Zarzuela (2022.

Fond of contemporary music, the soprano is a favourite cast for Spanish composers of our days. In 2021 she enjoyed huge success as CRUZ in Tránsito by Jesús Torres in at the Palau de les Arts and at the Teatro Real and LAURENCIA en Fuenteovejuna by Jorge Muñiz at the Opera de Oviedo (2018) and once again at the Opera de Tenerife (2022).

As a recitalist has performed in many Festivals and Concert Halls throughout Spain and the United Kingdom, including the Auditori of Barcelona, the Auditorio of Alicante, and the Gran Teatre del Liceu. Maria sang in Beethoven’s 9th Symphony with JOSBU, Egmont with the Oviedo Filarmonia, Rossini’s Petite Messe Solennelle, Vivaldi’s Gloria or Mendelssohn’s Elijah and Psalm 42.

Future engagements include MICAELA at La Maestranza in Sevilla, her coming back to Teatro Real both with HERMANA in the new composition Tejas Verdes and as MÉLISANDE in Ariane et Barbe Bleu, CRUZ in the opera Transito at the Palau de les Artes of Valencia, a revival of La Regenta in Oviedo or NANETTA in Falstaff at the Gran Teatre del Liceu.