"Especially worth mentioning is ther outstanding performance of Ewandro Stenzowski as Mime, whose nuanced portrayal, his smart interpretation and his unusually huge voice clearly upgrade the role."
Der Opernfreund

the german opera magazine Der Opernfreund wrote on Ewandro Stenzowski’s interpretation of the MIME in „Das Rheingold“ at the Erfurt Theatre in 2024.

In 2025 Ewandro Stenzowski portrays NARRABOTH in Salome with the Irish National Opera at the Teatro Massimo Palermo and ERIK in Der Fliegende Hölländer at the Wiesbaden State Theatre.

In 2024 he sang among others ERIK in Der Fliegende Holländer at the Teatro Municipal de Sao Paolo and the PRINCE in Rusalka at the Erfurt Theatre .Before, he could already be seen in such roles as ERIK , NARABOTH , VOGELSANG (Die Meistersinger von Nürnberg), AEGISTH (Elektra), MACDUFF(Macbeth) aber auch RODOLFO (La bohème), STEWA (Jenůfa),DUCA (Rigoletto), CANIO (Pagliacci), GABRIELLE ADORNO (Simon Boccanegra),) or CAVARADOSSI (Tosca) at the Teatro Massimo di Palermo, Teatro Petruzzelli di Bari, the Teatro del Maggio Musicale Fiorentino, at the Summer Opera in Castle Aldenbiesen (Belgium), the Erfurt Theatre, Osnabrück Theatre, Gießen Theatre, Detmold Theatre or the Darmstadt State Theatre. In 2021 he sang ERIK in Der fliegende Holländer with the Orchestre national d'Île-de-France at the Opéra de Massy and the PRINCE and the SERVANT in Berg‘s Lulu in a Livestream from the Heidelberg Theatre.

The Brazil-born tenor started his musical education with singing studies at the University Rio de Janeiro (UFRJ), which he completed with his Bachelor. After a study period in Italy Carlo Bergonzi he absolved master studies at The Stuttgart Music Academy. Ewandro is a multiple Prize Winner of national and international Singing Competitions in Brazil.

Ewandro Stenzowski already worked with such renowned conductors as Giampaolo Bisanti, Isaac Karabtschevsky, Case Scaglione, Iván Anguelov, Sylvain Cambreling, Alexander Prior, Giuliano Carella, Will Humburg, Roberto Minczuck, Helmuth Rilling, Michael Schønwandt, Omer Meir Wellber, Federico Santi, Enrico Delamboye, Lutz Rademacher, und Cornelius Meister and producers like Peter Konwitschny, Yannis Kokkos, Georg Rootering, Graham Vick, Davide Livermore, Dirk Schmeding, Carla Camurati, Guy Montavon, Jussi Wieller, and Giancarlo del Monaco.

The artist is also a much sought-after opera and concert singer with a vast repertoire ranging from classic opera works to modern works and oratorias. With his brilliant heights, his performing intensity and his stylistic versatility, he convinces both on stage and in concert halls.

Edwardo already succeeded at numerous festivals and in renowned concert halls throughout Europe and South America. His concert repertoire Beethoven‘s 9. Symphonie, Bruckner‘s Te Deum, Requiems by Mozart and Verdi, Puccini‘s Messa di Gloria, Rossini‘s Petite Messe Solennelle, Frank Martin‘s Et in Terra Pax and Dvořá‘ks Stabat Mater.