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Staatstheater Karlsruhe – Eugin Onegin - TATJANA |
Splendid however is Pauliina Linnosaari as Tatjana. The way she masters the scene with the letter is simply ravishing, strongly supported by Johannes Willig at the conductor desk. The result is an exceedingly subtle musical soul portrayal in the character’s emotional confusion with its ups and downs, rather parlaying in her self-revelation yet in a marvelous flow in phrasing the text of the letter onto the breakthrough of her brave determination. The following musical sunset is the highlight of this almost sole bright moment of the opera. |
Bachtrack – Christhop Wurzel bachtrack.com |
Pauliina Linnosaari gives a touching portrayal because she sings and plays without any pathos. Her singing has depth and feeling... |
Die Rheinpfalz – Karl Georg Berg rheinpfalz.de |
Pauliina Linnosaari is a Tatjana with heart, attitude and a olden voice. |
Badische Neuste Nachrichten bnn.de |
Künstlertreffen der Gottlob-Frick Gesellschaft in Pforzheim-Niefern und Ölbronn-Dürrn "Verachtet die Meister nicht!" |
Pauliina Linnosaari who sang Mimi’s aria enthralled with a charming and emotionally thrilling „Si, mi chiamano Mimi“.
...with an outstanding vocal and acting presence. Just like Pauliina Linnosaari in Tosca’s aria „Vissi darte, vissi d’armore“, that she impressively performed with plenty of intimacy and painful intensity. …
Pauliina Linnosaari thrillingly fascinated in the aria of Butterfly „Un bel di, vedremo“ from „Madama Butterfly with her exceptional versatility and her highly musical vocal artistry. ...
....tumultuous jubilation. Standing ovations and bravos led to three encores. Pauliina Linnosaari enthralled with a wonderful, soulful „O mio babbino caro“ from „Gianni Schicchi”. |
Der Neue Merker 11/2024 – Marisa Altmann-Althausen |
Badisches Staatstheater Karlsruhe – Der Kreidekreis - HAITANG |
Pauliina Linnosaari succeeds as Tschang Haitang. With her flexible soprano voice , with its lyrically supported naivety, she does not only succeed in convincingly performing the desperate struggle for her child and her own life but also the power to present an emphatic otburst in a Richard Strauss way. t.…-Pauliina Linnosaari‘s s brilliant soprano voice. … |
PZ News pz-news.de |
Badisches Staatstheater Karlsruhe – Tannhäuser - ELISABETH |
...and the virginally pure Elisabeth. Pauliina Lannosaari succeeded in the role with her secure, brilliant soprano voice and her intense pervasion of the role. This was the case in the dramatic passages, like the hall aria, but also in the challenging lyric of the prayer. |
OPERNGLAS 7/8 - 2024, J.-M. Wienecke |
With her dramatical interpretation of the hall aria the soprano definitively rose above the lyrical repertoire. |
OPERNWELT 6/24 – Alexander Dick |
The Finnish Pauliina Linnosaari is quierte impressive in this role: with her light, perfectly focussed soprano voice of polished steel, she holds her ground against the choir masses. |
FAZ faz.de |
…to the brilliant Pauliina Linnosaari as Elisabeth , who is a vocally attractive counterpart. |
Online Merker
onlinemerker.com |
Saarländisches Staatstheater Saarbrücken - Die Tote Stadt – MARIETTA |
With Pauliina Linnosaari in the double role of the dancer „Marietta“ and the Marian Apparition the Saarbrücken State Theatre has succeeded in landing a major casting coup. One has seldom seen and heard this role being sung so spiritedly and played so sovereignly . The mere effortlessness with which she sings the well-known song „Glück, das mir verblieb“ , integrating each and every high peak in the singing line without any sharpness, deserves great admiration. The young soprano has just the right juicy tone which is needed to play the seductress. At the same time, her voice is so stunningly flexible, that the sirenlike calls of the in her dream appearing Marie have something fascinatingly otherworldly narcotic. |
Der Opernfreund deropernfreund.de |
The Finnish Soprano Paulina Linnosaari is the star of the evening. Her Marietta is human, harm-hearted, sympathetic, but little femme fatale. |
SR2 Kulturradio/SR3, 7. Oktober 2018 Reingart Sauppe |
Badisches Staatstheater Karlsruhe – Salome - SALOME |
Outstandingly, Pauliina Linnosaari portrays the evil yet dramatical for innocent child, vocally enhancing unto a breathtaking final monologue. |
SWR swr.de |
Saarländisches Staatstheater Saarbrücken – Médee - MÉDEE |
But the vocally most brilliant singer was the soprano Linnosaari. |
Opus Kulturmagazin
opus-kulturmagazin.de |
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