|Landestheater Niederbayern – Maria Stuarda - LEICESTER
|No doubt, the most ungrateful of the 3 tenor roles in the king’s drama is the role of Leicester: not a single aria, yet a few duets, often uncomfortable high. It places certain demands on the interpreter! However, after a short start-up, Victor Campos Leal succeeded in convincing the listeners: with his agreeably timbred voice, the rich tenor succeeded in easily mastering all difficulties.
|Der neue Merker 1 / 2020 – Michael Tanzler
|With Victor Campos Leal they succeed in singing marvelous duets. In the middle registers, his tenor voice develops Mediterranean blaze, always racked by love’s pain.
|The singers in the leading roles offered a convincing translation of Donizetti bloody but passionate score... and the brilliant tenor Victor Campos Leal (Roberto), who presented cultural pleasure of the highest standart with singing technique and emotional expression...
|Landestheater Niederbayern – Anna Bolena - PERCY
|Victor Campos Leal (Percy) provided the play with tenoral magic, singing both with verve and stylistic sensitivity. The technically delicate part, that contains some real pitfalls, fitted his voice well.
|Opernglas 1/2019 J.-M. Wienecke
|Landestheater Passau – Anna Bolena - PERCY
|Brilliant Victor Campos-Leal at her side as Percy, who also threw himself vigorously into the part. He put in some generously exploding high peaks ( even 3 times hte high D) in his beautiful vocal line. Thank god they the „Vivi tu“ with the subsequent Cabaletta wasn’t deleted. . Campos Leal used it as his master piece. His – unfortunately reduced – duet with Anna also was one of the highlights of the evening.
|Schlossfespiele Werningrode – Rigoletto – DUCA DI MANTOVA
|And in this particular Verdi Opera, a secure, dashing tenor is needed. Victor Campos Leal has exactly the right stature for the role of the Duke of Mantova.
|Joachim Lang Orpheus 05/2018 – Sept./Okt
|Landestheater Niederbayern -Lucrezia Borgia - GENNNARO
|‚Victor Campos Leal not only give a vocally beautiful Gennaro Dandy, he also draws a powerful portrayal with a true depth of character.‘
| Opernwelt 6/2018 – Markus Thiel
|The Mexican tenor Victor Campos Leal’s powerful performance was certainly no less exciting. The part of Gennaro gave him a perfect chance to profitably apply the qualities of his flexible voice. His brilliance in the high registers and his stylistically confident Messa di voce, as he convincingly proved in the aria „T’amo qual dama un angelo“, were equally captivating as his very emotional acting.
| Opernglas 6/2018 – J.-M.Wienecke
|Konzerthaus Wien – Messa da Requiem/G. Verdi
|A tenoral surprise came from Victor Campos Leal of the Passau Theatre. A beautifully timbred, mellow, lyrical tenor voice with outstanding pianos. His „Hostias et preces tibi“ was beyond compare, just like his „ingemisco“.
|Niederbayerische Städtetheater Passau – Der Rosenkavalier - SÄNGER
|Victor Campos Leal as the Italian singer ensured expressive brilliance.
|Opernglas 2/2018 . J.-M. Wienecke
|Niederbayerische Landestheater - Lucia di Lammermoor - EDGARDO
|… Edgardo, with expressive facets illustriously performed and dashingly played by Victore Campos Leal with his powerful belcanto tenor voice…
|On the other hand the tragic lover Edgardo, played with real passion and inspired warmth by Victor Campos Leal.
|Landshuter Zeitung – Eberhard Iro
|Mautern – Rogoletto –DUKE OF MANTUA
|A few hours before the premiere of Rigoletto in Mautern in Liesingtal there was great excitement. One of the leading actors, the singer Tim Ribic, was suddenly fallen seriously ill. Spontaneously the Mexican tenor Victor Campos-Leal, who is currently rehearsing ‘The Flying Dutchman’ in Wroclaw, stepped in. He arrived, believing he would also sing the final rehearsal instead of right the premiere. Just to speak cleartly: Victor Campos Leal created at no time the impression to be just jumping in. Masterly he sang his part and contributed to the enormous success just like the wonderful Maria Kublashvili as Gilda, Adrian Häuselmann in the title role, Daniel Cobos as Sparafucile and Susanne Hebenstreit as convincing Maddalena.
|Südostbayerische Städtetheater Passau/Landshut - La Straniera - ARTURO
|VICTOR CAMPOS LEAL, another trump cardin this new production, prooved to be a highly respectacle tenor partner with a perfect sense of style , a clear vocal line and beautiful messe di voce, wchich is indispensable in this vocal style. The young Mexican, winner of the Francisco-Araiza-Conest, is a member of the Brselau Opera ensemble for the time being. With this elegant, technically perfect interpretation of Arturo he proves to be suitable for bigger tasks.
|Opernglas 3/2016 J.-M.Wienecke
|The Mexican Victor Campos Real excels through his lyrical tenor voice.
|But also the Mexican tenor Victor Campos Leal cthrilled the Passau opera audience: his portrayal of Arturo is both vocally and actingly inspiring. At times he sings with a yearning love, then again consumed with devouring jaleousy.
|Passauer Woche - Fritz Greiler
|Very impressive the Mexican tenor Victor Campos Leal as Arturo
|Breslau Opera House - Rigoletto - DUCA
| Overwhelming at the evening of the premiere was Victor Campos as "Duca di Mantua" - the womanizer, who plays some really passionate scenes in the third act with Anna Bernacka as "Maddalena"
|Breslau Opera House - The Pearl Fisaher - NADIR
| '... above all the Mexican tenor Victor Campos Leal, who made his acclaimed debut as Nadir ...'
|Breslau Opera House - La Traviata - ALFREDO
| In this Traviata Jijoung Jo's natural charm (Violetta) very convincingly melds with the touching Victor Camos Leal (Alfredo). Under the excellent direction of Bassem Akiki, both of them capture the audience.
|Der neue Merker